Monday, October 22, 2012
Monsters Marching Forward...
The promo poster and stickers for Cutter are in the HOUSE! Outstanding art from Christopher Gibbs and Dennis Willman......The Legion moves forward. We have also launched our fan page an invite you to take a look and sign up for art and promo giveaways. Get on the list for Cutter # 0. We have a shite ton of surprises in store!!! www.facebook.com/Cutter1013
Tuesday, October 16, 2012
Illusion and Reality
I explained in earlier posts some of my time this week, time I most often set aside for writing, has been given to study of the craft. As a neurotic spider monkey with an OCD problem I believe I can always improve.
Write better, create better characters…improve in all aspects of the craft and just BE better. On this note I was reading some excellent material on inspiration and themes. That age old question “Where do you get those ideas?”
Although I write about monsters and terror my inspiration comes from “THINGS” that happen around me, from the smallest detail of life to the most significant worldwide incident. I pull snippets and bits from everything, Overheard conversations, interactions between strangers, trash, stray animals, frozen squid…everything.
One theme I return to again and again is the aspect of illusion and reality. What is real and what is not. What appears to be REAL but may not be.
It is my firm belief that each person’s reality is as different and individual as they are. How you view the world is as unique as your fingerprint. Outside influences may bend and shape your perception BUT the view from your castle is your very own.
My own perception of how human’s view reality shapes my outlook and worms its way into a vast amount of my fiction, to lose your grasp on reality and not be able to verify what is there and what isn’t ….that’s a terrifying thought.
To realize your grasp is slipping, to know that what you are seeing and hearing may not be there….BUT HOW CAN YOU NOT TRUST YOU OWN EYES AND EARS? To fully understand that your grasp on sanity is slipping and not have a way to tighten your grip….well that’s where horror comes from.
I enjoy slipping back and forth during my writing, keeping the reader from fully understanding if what is happening to the characters is really happening or is this just the final break down.
I believe this creeps into my writing due to the fact I’ve had numerous experiences in my life with mental illness and it’s after effects. This influence is drawn from my job in law enforcement or through members of my own family. Perhaps this is my way of dancing around my own darkest fear. The fear that I may lose my grasp on what is real and what isn’t. hmmmmm …. I believe this tuning up thing is working.
Christopher Gibbs and I have gotten started on some promotional gear for the launch of our horror comic series Cutter.
First off we will be publishing a teaser issue (Cutter # 0) during November.
Posters, T shirts and stickers will start finding there was around your local Cons AND we hope these wonderful goodies will prime you for the debut of Cutter #1. (Early 2013)
Promotional stickers….Come see us at our next Con and pick one up.
Monday, October 15, 2012
Passion, October and a Comic Convention
October for me is filled with all things good. This is the time of year when horror steps to the front of the line and strangles all aspects of normal.
For a monster lover like myself there is really nothing so wonderful.
I’ve been brushing up on the craft. Giving myself a tune up and learning a few new skills. In the world of comics & graphic novels writing and creating has its own language. My background is based firmly in short stories and novels. Learning how to say the equivalent of three pages of dialogue and description in little under ten words has been a bit like learning to speak Mandarin.
Ideas have been coming fast and hard these last few weeks. I have filled notebooks with outlines and snippets for use in the future. All my focus for the duration needs to be on Cutter #0 and my upcoming anthology Gods & Monsters. Once these are finished it’s straight to work on Cutter #1 and putting the finishing touches on the novel Keepers. Those lovely beauties are going to have to sit for a while before I can do them any justice.
I’ve also learned recently the extreme importance of having your creative team mesh well. Just one person that doesn’t have the same passion and love for project you’re working on can send out little ripples of negativity and frustration. I’m lucky in the fact that my creative partner and I both have the same amount of intensity and love for our joint work. Perhaps it’s our own fault for expecting others to fit well and be comfortable in this environment. More often than not Christopher Gibbs and I can finish each others thoughts when it comes to Cutter and our vision for the work.
If you’re down in Tampa this weekend come say hello at the Tampa Bay Comic Convention. Drop in and support some wonderfully talented folks!
Friday, October 12, 2012
Thursday, October 11, 2012
Returning From the Dead – A Handbook for Beginners
Things are progressing at warp speed and I’m having one hell of a joy ride.
Cutter progresses forward. Dennis Willman has joined Christopher Gibbs and me in the CUTTER horror comic book universe.
Cutter # 0 is on task to be unleashed at the end of this month. Cutter #1 script is complete and is waiting in the wings. Christopher and I have some wonderfully tentacle filled goodness in the future regarding this project and are having one hell of a good time bringing it to life. We hope to both start the Con circuit together in the near future.
Autumn Painted Red has finally been released and is available on Amazon. My first foray into nonfiction and I really enjoyed stepping back in time and visiting the PIT that was Whitechapel.
I’m currently working on a horror anthology comprised completely of my own work. This has been a challenge from the outset. My Editor Carol, of Editorial Alchemy – Sarasota, is helping me gather together all my wayward children (short stories) and whip them into shape. Things are just getting rolling so I can foresee many weeks of work left.
Sometime in the near future a zombie anthology featuring two pieces of mine titled, The Final Migration will be ready for release. Another awesome collaboration of talented creators I was asked to be a part of. I can’t wait for this one to hit; the stories are just epic and a nice slant on the whole zombie apocalypse idea.
I’ve just recently started another project that I have to admit is completely inspired by those patient souls that serve me pints at my favorite pub. I know, I know - big rule is you don’t write about people you know. I’m not exactly doing that. The characters are somewhat inspired by those whom I call friends. Also they get killed and get to kill werewolves. Now who in the hell doesn’t want to be a part of that? This project is still in the research stage but I have a clear idea of where it’s going.
Of course I’m still working on the novel Keepers. I hoping to see this finished at the beginning of the new year AND progress into a serial.
That’s what I’ve been up to. Things are taking off and I really don’t see them slowing down anytime soon.
Saturday, August 11, 2012
Using The Human Infection
One of the things I've found I take delight in is discussing my writing projects, themes and basic outlines with those that don't usually read horror or Dark Fantasy.
I tried a little experiment tonight and I truly enjoy the reaction of those brave souls who let me tell my tales of giant bug monsters kidnapping artists, cannibal babies, eleven year old sociopaths or the Death coming to visit for tea.
They and their reactions give me invaluable input on how to make my stories and writing better. This evening I had a lively discussion with a group of people more apt to read such things as Eat, Pray, Love instead of H.P. Lovecraft. The onslaught of suggestions and questions helped me deepen my plot and tweak my characters, for several of the projects I'm working on.
It also helps to come out of my comfort zone and have people criticize my outlook and the fact I love my Monsters. It helps me improve my methods of verbal seduction in order to get them to open their minds, try something new and read the entire book.
All in all, this group was invaluable and I think I may have gained a fan or two...
I tried a little experiment tonight and I truly enjoy the reaction of those brave souls who let me tell my tales of giant bug monsters kidnapping artists, cannibal babies, eleven year old sociopaths or the Death coming to visit for tea.
They and their reactions give me invaluable input on how to make my stories and writing better. This evening I had a lively discussion with a group of people more apt to read such things as Eat, Pray, Love instead of H.P. Lovecraft. The onslaught of suggestions and questions helped me deepen my plot and tweak my characters, for several of the projects I'm working on.
It also helps to come out of my comfort zone and have people criticize my outlook and the fact I love my Monsters. It helps me improve my methods of verbal seduction in order to get them to open their minds, try something new and read the entire book.
All in all, this group was invaluable and I think I may have gained a fan or two...
Friday, August 10, 2012
Manifesting Fear
I find that as a horror writer / creator you must be unafraid to take your reader to that dark place they don't want to look into.
This skill requires an almost abduction like quality...you have to make your reader choose to see that place. You have to seduce them, trick them, or even blitz them into that spot. Convince them they want to see whats behind the locked door. Make them think they would LOVE to dive into the muck.
I like to leave my readers with a feeling of unease, something that may creep up again at two in the morning as you navigate the pitch black house OR cross a parking lot, in a less savory area - alone - returning to your car.
I don't want you to feel safe, I want you to embrace the horror all around, festering in the real world. I strive for writing that captures that reaction and pushes it to the forefront. my Monsters don't want to be ignored, they want to play.
I like to create a sense of normalcy...maybe take a group or structure we thinks keeps us safe. Break that bad boy open and show you the maggots and puss right under the surface.
When I start creating characters and put words to paper I never let these motivations get too far out of focus.
On that, the writing has been moving freely the last two days. My collaboration with Christopher Gibbs is developing into something that just may shatter my own expectations. Each day I see CUTTER stretch and grown. The story, the characters are rising out of the miasma to become solid and textured.
The next few days will be for review and deep thinking on how I should progress on each of the pieces and projects I've got my hands in.
This skill requires an almost abduction like quality...you have to make your reader choose to see that place. You have to seduce them, trick them, or even blitz them into that spot. Convince them they want to see whats behind the locked door. Make them think they would LOVE to dive into the muck.
I like to leave my readers with a feeling of unease, something that may creep up again at two in the morning as you navigate the pitch black house OR cross a parking lot, in a less savory area - alone - returning to your car.
I don't want you to feel safe, I want you to embrace the horror all around, festering in the real world. I strive for writing that captures that reaction and pushes it to the forefront. my Monsters don't want to be ignored, they want to play.
I like to create a sense of normalcy...maybe take a group or structure we thinks keeps us safe. Break that bad boy open and show you the maggots and puss right under the surface.
When I start creating characters and put words to paper I never let these motivations get too far out of focus.
On that, the writing has been moving freely the last two days. My collaboration with Christopher Gibbs is developing into something that just may shatter my own expectations. Each day I see CUTTER stretch and grown. The story, the characters are rising out of the miasma to become solid and textured.
The next few days will be for review and deep thinking on how I should progress on each of the pieces and projects I've got my hands in.
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